Dr Christopher Maxim
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        • St Paul's, Clifton, Bristol
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Instrumental music    Sacred choral music     Secular choral music     Songs
* OPERA OMNIA *

Sacred Choral Music/Anthems & Motets


O Praise the Lord, all ye Heathen
(1992)
Anthem for general use
SATB
Words: Psalm 117, Book of Common Prayer

First performed by the University of Bristol Church Choir in Peterborough Cathedral
Available from the composer


Grant, we beseech Thee, merciful Lord
(1994)
​Anthem for general use
SATB (with divisions), tenor solo, organ
Words: Collect for the 21st Sunday after Trinity, Book of Common Prayer

First performed by the Cardiff University Church Choir
Published on Score Exchange

Blessed Lord, who hast caused all Holy Scriptures to be Written for our Learning
(1994)
​Anthem for general use
SATB (with divisions), treble solo, organ
Words: Collect for the 2nd Sunday in Advent, Book of Common Prayer

First performed by the Cardiff University Church Choir in Bath Abbey
Published on Score Exchange



O God, who has Prepared 
(1994)
​Anthem for general use


SATB (with divisions)
Words: Collect for the 6th Sunday after Trinity, Book of Common Prayer

First performed by the Cardiff University Church Choir
Published on Score Exchange


Bring us, O Lord God
(1995)
​Anthem for general use
SATB (with divisions).
Words: Donne.
First performed by the Cardiff University Church Choir.
Published on Score Exchange

Sacerdotes Domini
(1998)



SATB, organ

Forms part of the Missa Sacerdotes Domini, first performed by members of the Cardiff University Church Choir and the Choir of St David’s Parish Church , Exeter on the occasion of the first celebration of Mass by The Reverend Timothy Hunt
Published on Score Exchange within the Missa Sacerdotes Domini



Behold now, praise the Lord
(2002)
Anthem for general use, especially at eventide
S(S)ATB, organ
Words: Psalm 134, Book of Common Prayer

Join first prize-winner the 2002 Harold Smart Competition
​
First performed by St Teilo Singers in Chichester Cathedral
Published on Score Exchange


Let my prayer come up
(2002)
Introit for eventide
SSATB
Words: Psalm 141, v. 2.  Version used by John Blow in his setting of the same text

First performed by the St Teilo Singers in Bristol Cathedral
Published on Score Exchange


Salve Regina
(2003)
Picture
SATB
Words: Latin (attributed to Herman the Lame)
Published by the Royal School of Church Music in Sunday By Sunday 1  (2004) 

God be merciful unto us, and bless us 
(2004)
​Anthem for general use
SATB, organ
Words: Psalm 67, Book of Common Prayer

Note: this is the Deus Mesereatur, which may be sung as an alternative to the Nunc Dimittis at Evensong.  It is therefore also listed under Evening Canticles
​

First performed by the St Teilo Singers in Southwark Cathedral in June 2005
Published on Score Exchange

As we gather at your table
(2005)
​Communion anthem
SATB, organ
Words: Christopher Maxim

First performed by the St Teilo Singers in Southwell Minster
​
May be sung in other vocal combinations, including unison voices, organ
Published on Score Exchange

Christ was the Word
(2005)
Very short Communion motet
Picture
SATB
Words: attributed to Queen Elizabeth I

Commissioned by the Royal School of Church Music and published in Sunday by Sunday 2 (2006)
Published by the Royal School of Church Music in Sunday By Sunday 2  (2006) 

Jesus, to your table led
(2005)
​Communion anthem
Picture
SATB, organ
Words: adapted by the composer from a hymn by Canon R. H. Baynes (1864)

Featured in Organists' Review
​

First performed by the St Teilo Singers in St Albans Cathedral
Published by Paraclete Press


Jesus, to your table led adapts a text from R. H. Baynes and is a simple and attractive communion motet.  It features simple four-part writing, sections for SA and TB for textural contrast, and an extended 'Amen' with some chromatic colour.  Voices are comfortably supported by the organ accompaniment throughout.
Martin Clarke (Organists' Review)

Alma Redemptoris mater
(2006)
SATB (with divisions)
Words: Latin

First sung at a Scott Plummer singing afternoon
Published on Score Exchange

Felix Namque
(2006)
SATB (with divisions)
Words: Latin

First performed by the Latvian Radio Choir at the Taliesin Arts Centre, Swansea University, as part of the Vale of Glamorgan Festival.
Published on Score Exchange

The Seas are Quiet
(2007)
Anthem for general use but especially suitable for eventide and commemorations
SATB (with divisions), organ
Words: Edmund Waller

Featured in Organists' Review

First performed by the Giltspur Singers in St Margaret's Lee.
​Published on Score Exchange

Blake's Cradle Song
(2008)
SATB with divisions
Words: William Blake

First performed by the Giltspur Singers

​Note: this piece is also listed under Christmas Music
Published on Score Exchange

Set to words by William Blake, this inventive and evocative work for unaccompanied mixed choir was written for The Giltspur Singers of London. Performable at Christmas, or at any time of the year, there is much of interest and to enjoy for any adventurous choir looking for music which both challenges and enthuses.
Recital Music

From Sting to Benjamin Britten, Blake’s elusive words have inspired many composers in different genres, and this new setting is certainly worthy of a place among them. The idiom is a sort of Tavener-meets-Howells; an apparent simplicity covers a subtle responsiveness to the words and a beguiling fluidity of musical effect.  There are a few tricky harmonic corners but the piece is written with an evident delight in musically shaped phrases that are rewarding to sing.
James L. Montgomery (Church Music Quarterly)

The Peace of God
(2009)
​Wedding motet
SATB
Words: Canon M. C. Stack
​
Commissioned for the Wedding of Mr S. Burke and Ms S. Moss (October 2009). Canon Stack (1865-1946) was the great-grandfather of the bride.  Sets the traditional tune  Londonderry Air ​('Danny boy')
Published on Score Exchange

To God who gives our daily bread
(2010)
A grace, but suitable for general use and for harvest thanksgiving
SATB
Words: attributed to Thomas Tallis

Commissioned by Mr S. Daniels and Miss Leila Ward, to be sung at their wedding breakfast at the Queen's House, Greenwich on 31st July 2010

Featured in Organists' Review
Published on Score Exchange

Stars of the Morning
(2010)
Anthem for Michaelmas
Picture
SATB (with divisions), organ
Words: J. M. Neale (1818-1866) from the Greek hymn attributed to St Joseph the Hymnographer (d. 883)

First performed by the St Paul's Cathedral Consort (conducted by Timothy Wakerell) in St Paul's Cathedral, London on 8th September, 2010
Published by Paraclete Press

This festival anthem celebrates St. Michael and All Angels with choral divisi and organ.  A wonderful challenge for advanced choirs, this has imaginative harmony with multi-metered rhythm.
Paraclete Press

Christopher Maxim's anthem 'for St Michael and All Angels', Stars of the Morning […] is a dramatic - and demanding - setting of the words by J. M. Neale from an ancient hymn, for SATB choir with occasional divisi, which received its first performance in St Paul's Cathedral.  It is punctuated by a fortissimo unison melismatic phrase which marks each of its sections, and requires rhythmic precision in negotiating tempo changes as the declamation of the words unfolds.  It certainly does justice to the 'thundering' and 'shouts of joy' of which the text speaks!
David Lindley (Organists' Review)

This is a dramatic setting of the words of the Michaelmas hymn, mostly loud and emphatic, with an arresting opening that reappears towards the end as well as in the middle, men only, for ‘Who like the Lord? thunders Michael the Chief’.  There is much battling for right and shouting for joy; an exhilarating time will be had with a confident choir and organist.
James L. Montgomery (Sunday by Sunday)

O how amiable are thy dwellings
(2011)
​Anthem for general use
SATB (with some divisions) S solo, organ
Words: from Psalm 84 (Book of Common Prayer)
​
Commissioned by the Rector and PCC of the Parish Church of St Matthew, Bethnal Green for the service to mark the 50th anniversary of the rebuilding and rededication of the church, following damage in WWII.  First performed at that service by theGiltspur Singers with Adey Grummet (soprano solo)
​
This performance may be heard on YouTube
Published on Score Exchange

I have loved you
(2015)
Motet for general use
SATB (with some optional divisions at the end)
Words: John 15:9-12

Commissioned by and dedicated to Simon and Elizabeth Scott Plummer in celebration of their Golden Wedding Anniversary in 2016
​​Published on Score Exchange

Love is...
​(2016)
Motet for general use but especially apt for weddings 
Picture
SATB
Words: I Corinthians 13
​
Composed for the wedding of Miss Katy Turner and Mr Mark Honan
Published by Paraclete Press

Written to celebrate a wedding, the attributes of love, as written in 1 Corinthians 13, are extolled here in a simple four-part a cappella setting. A lovely selection for any wedding or occasion to celebrate the love of God.
​Paraclete Press

Choosing a wedding anthem achievable by those bands of singing friends one might gather together on the Big Day is a challenge.  This one comes highly recommended:  Love is... (1 Corinthians, of course) is a gracious and practical wedding piece for SATB a cappella.  The word-setting is excellent and, while it may be easy, it really does an effective job.
Rebecca Tavener (Organists' Review)

Amen
​(to conclude 
Great and Marvellous are Thy Works by Thomas Tomkins)
​(2017)
SSATB
​
​Commissioned by Simon Scott Plummer
Published on Score Exchange

Alter Prayer at Petertide
​(2019)
SATB
Words: Adey Grummet
​
Composed for the 25th Anniversary of the priesting of The Reverend Kevin Scully
Published on Score Exchange

​

Royal Presents
​(2020)
Anthem for Epiphany
Picture
SATB, organ
Words: Nathaniel Wanley (1634-1680)
Published by Paraclete Press

Drop, drop slow tears
​(2020)
Motet for Lent and other times
Picture
SATB
Words: Phineas Fletcher (1582-1650)
Published by Paraclete Press
​
​

This setting of Phineas Fletcher's familiar text should make a welcome addition to the Lenten repertoire of choirs confident in singing unaccompanied and handling some tuning challenges. Maxim responds assuredly to the challenge he has set himself to create a distinctive setting of a text already strongly associated with two musical settings. His melodic writing here subtly draws out the emotional meanings and imagery of the text without resorting to cliché. If the harmony initially seems a little predictable with a couple of 9-8 suspensions, the surprising turns it takes thereafter are arresting in the ways they draw attention to the conflicts that the text describes. Herein like the principle challenge for choirs. The texture is largely homophonic throughout and there are few difficulties in terms of rhythmic coordination. Harmonically, however, the middle section will require careful attention. Here, the music moves quickly away from the B minor centre of the opening section, with deceptive us of a D minor chord in place of B minor heralding a flat-wards move to B flat minor replete with chromatic adjustment. The move back to B minor for the final section is a little less challenging. For a choir confident in tackling such harmonic challenges, there is much to find rewarding here.
Martin Clarke (Organists' Review)

Alleluia! Alleluia!
​Hearts to heaven and voices raise
​(2020)
​Anthem for Eastertide
Picture
SATB, organ
Words: Christopher Wordsworth (1807-1885)
Published by Paraclete Press


Christopher Maxim has forged a distinctive and consistent compositional style that always demands respect.  This festal anthem, setting verses from Bishop Christopher Wordsworth's hymn, would suit Eastertide, harvest, or other services of praise.  Maxim's organ writing is always idiomatic: here he achieves the neat trick of writing an accompaniment that is both dramatic and technically not overly demanding.  The same applies for the vocal parts which are sympathetically written but with just the right level of technical challenge to be satisfying.  Jaunty irregular rhythms, strong melodic writing and good, crunchy tonal harmonies make this a fine sing.
Huw Morgan (Organists' Review)

A brighter dawn is breaking
(2020)
​Anthem for Eastertide
Picture
SATB, organ
​Words: Percy Dearmer (1867-1936)
Published by Paraclete Press

Christopher Maxim welcomes Easter with this joyful setting of Percy Dearmer's hymn text.  The outer sections have the feel of a (possibly medieval) dance, with 6/8 time signature and homophonic texture.  The contrapuntal central verses will require work in rehearsal, but the vocal lines are rewarding and singable in themselves.  After three unaccompanied version, for which the organ provides introduction and links, the instruments joins in the fun for the concluding fourth verse.
​Stephen Patterson (Church Music Quarterly)

My spirit longs for thee
​(2020)
​Motet for Lent and other times
SATB, organ
​Words: John Byrom (1692-1763)
Published on Score Exchange



O King enthroned on high
​(2020)
Anthem for Whitsuntide
SATB
Words: Greek, c. 8th century;
​translated by John Brownlie (1857-1925)
Published on Score Exchange


Spirit divine, attend our prayers
(2020)
​Anthem for Whitsuntide
SATB, organ
Words: Andrew Reed (1787-1862)
Published on Score Exchange

​
​To be published by Paraclete

Sing, all ye Christian people
(2022)
Anthem for Eastertide
SATB, organ
​Words: Jan Struther (1901-1953)
Published on Score Exchange

Rejoice in the Lord
(2023)
​Anthem for general use
SATB, organ
Words: Philippians 4

Commissioned by the Reverend Dr Sue Lucas and the Parish of The Holy Trinity, East Ham in celebration of the 40th Anniversary of the building of the present St Bartholomew's Church and Centre and of the Walker organ
Published on Score Exchange

The Easter Anthems
Christ our passover is sacrificed for us
(2024)
Anthem for Eastertide
SATB, organ
​Words: 1 Corinthians & Romans
Published on Score Exchange

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